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20世纪80年代,随着《中国戏曲志》各省卷编撰的深入,一些鲜为人知的祭祀戏剧(傩戏)逐渐重见天日,中国傩戏、傩文化的研究因之而兴起。在华北地区,山西晋东南的队戏、晋南的锣鼓杂戏、临汾曲沃任庄的扇鼓傩戏以及河北武安固义《捉黄鬼》等的演出,打破了“北方无傩”说,引起学界的广泛关注。山西、河北两省毗邻,故而王福才、黄竹三两位先生将两地的祭祀戏剧联系起来,
In the 1980s, with the deepening compilation of various provincial volumes in “Chinese Opera Chronicles,” some lesser-known sacrificial drama (Nuo opera) gradually resurfaced. The study of Nuo opera and Nuo culture in China began to rise up. In North China, Shanxi southeastern team play, Jinnan drums and miscellaneous plays, Linfen Quwo ren Zhuang fan drum opera and Hebei Wu’an Guzheng “catching the yellow ghost” and other performances, breaking the "Said that caused widespread concern in academia. Shanxi and Hebei provinces adjacent, so Wang Fucai, Wong Chuk three gentlemen will be linked to the two sacrificial drama,