一、内容的“片面性”所有的装饰都为其所装饰的事物所限定。在此限定之下,装饰的表现内容必然不具有自身的完整性,否则就会破坏装饰与被装饰物的整体关系。而一旦这种装饰内容的“片面性”不断扩大,它作为装饰的性质也就不存在了。常见的例子是希腊的瓶画和朝鲜的折扇画,它们本来都是陶瓶和折扇上的装饰,但由于它们都表达了完整的情节,后来就成了一种独立的绘画体裁。日本的浮世绘也同样如此,它最初是屏风的装饰,随着专业画师不断参与绘制,浮世绘在表现内容上越来越具体,这使它不再是屏风的装饰而成了一种脱离屏风存在的绘画体裁。这就是说,装饰在内容上都具有片面性。一方面,这种片面性来自被装饰物功能的限制,装饰如果依附于一件实用品,就必须受到 First, the content of the “one-sidedness” All the decorations are decorated for what they are limited. Under this limitation, the content of decoration must not have its own integrity, otherwise it will undermine the overall relationship between decoration and decoration. And once the “one-sidedness” of this decorative content is constantly expanding, its nature as a decoration does not exist. Common examples are Greek bottle drawings and Korean fan fan paintings, which were originally decorative pottery and folding fans, but since they both expressed complete plots, they became an independent painting genre. Japan’s ukiyo-e is the same, it was originally a decorative screen, with the constant involvement of professional artists drawing, ukiyo-e more and more in the performance of the content, making it no longer a screen decoration and become a kind of off-screen existence Painting genre. This means that decorations are one-sided in content. On the one hand, this one-sidedness comes from the limitation of the function of the decoration, and if the decoration is attached to a piece of practical product, it must be subjected to