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本文主要从刘勰所著的《文心雕龙·物色》篇出发,以文中“随物宛转”、“与心徘徊”为观察角度来简要地分析刘勰有关“情物关系”的创作思想,从而得出对文学创作中的“情物关系”的深化认识。
This article mainly starts from Liu Wen’s article “Literary Mind and Carving Dragon and Searching”, and analyzes the relationship between Liu Xie’s “, Thus come to a deeper understanding of the” relationship between the emotional "in literary creation.