偶翻《美术观察》(97年第六期),看到一篇题自为《从音乐外行陈逸飞画音乐谈起》的文章,阅后不禁惊诧无比,再读不免哑然失笑,三览其文,犹如骨鲠在喉,不得不说点什么了。且看:作者讥笑陈逸飞“这位画音乐的画家对音乐外行到了什么程度?他不知道中国的笛子有笛膜这一说……”。其实,画家的高明或许正在于此:他开了某些人的眼界！他完全有理由反过来对作者幽他一默:作者这位音乐内行(作者不惭,引俗言谓“外行看热闹,内行看门道”,看出如许门道的作者,当不惮接受内行这个称谓。)只知道中国笛子有笛膜这一说,竟不知中国笛子还有没有笛膜的一种这一说。只知其一,不知其二,指 Even turning “art observation” (No. 6, 1997), I saw an article entitled “From the music outside Chen Yifei painting music,” the article, can not help but amazement read, read can not help but dumbfounded, the list of its article , Like a bone in the throat, have something to say. And look: the author laughed at Chen Yifei “The painter of painting music to the extent of the music outside the line? He did not know the Chinese flute flute film that ... ...”. In fact, the artist’s brilliant may be here: he opened some people’s horizons! He has every reason to quietly silence the author about him: the author, the musician (who is not ashamed, quoted as saying “outsiders watch the hilarious, experts look at the doorway”, saw such a doorway author, when not afraid to accept the line of this title. ) Only know that there is a flute film in China that the flute, did not know the Chinese flute there is no flute film said. Only know one, I do not know the second, that