去年,在中国的版权界有两件值得关注的事,一是世界知识产权组织在华缔结了《视听表演北京条约》,二是著作权法第三次修订工作全面展开。特别是第二件事引起了版权界的广泛关注。权利人、产业界、专家学者围绕如何修改著作权法进行了深入的讨论和激烈的交锋,其争鸣与社会反响近年来实属少有。这种参与、探讨、争论、碰撞的热闹场面,随着国家版权局于同年年底将《著作权法修订草案》提交国务院法制办而暂告一个段落。但是,版权界对修改法的讨论并没有结束,只是其 Last year, two issues of concern to the copyright community in China were the signing of the Beijing Treaty on Audiovisual Performances by WIPO in China and the second revision of the Copyright Law in its entirety. In particular, the second issue caught the attention of the copyright community. Right holders, industry experts and scholars conducted in-depth discussion and fierce clashes on how to amend the Copyright Law, and their arguments and social repercussions have been rare in recent years. This participation, discussion, controversy and clash of lively scenes, with the National Copyright Bureau at the end of the same year the “Copyright Bill Revised Draft” submitted to the Legislative Affairs Office of the State Council and tentatively a paragraph. However, the copyright community’s discussion of the amendment law is not over, it’s just that