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露丝·史兰倩丝卡(Ruth Slenczynsha 1925--)美国著名钢琴家、钢琴教育家,被伦敦《镜报》誉为“当代最优秀的女钢琴家”;4岁起就以音乐神童的身份演出,曾师从多位世界钢琴大师;1964年起在美国南伊利诺伊大学任教,具有丰富的演奏和教学经验,培养了大批杰出的人才。她的著作《指尖下的音乐》是习琴者必备参考书目之一。如何增强背谱的效果在吸收一首新乐曲的过程中,背谱是极为重要且不可缺少的阶段。这个阶段是无法强求的,必须发生得很自然。如果你因为某些因素,必须加速这个阶段的进行时,我可以给予一些建议:在每日清晨,当头脑最清晰的时候练习背谱,而后在下午或晚间每一个练琴的时段中,加强复习半个钟头,尤其是临睡前的练习绝对不能少。有时,你或许会碰到极为棘手的乐段,可以试着就寝时将乐谱带至床前,一面想象着音乐的进行,一面练习用你的头脑默背音符,偶尔看一下乐
Ruth Slenczynsha (1925--) The famous American pianist and piano educator, praised by London’s Mirror as “the best pianist in the world” As a solo artist, he has taught at many world piano masters. Since 1964, he has taught at Southern Illinois University in the United States. He has extensive playing and teaching experience and has trained a large number of outstanding talents. Her book The Music Under the Fingertips is one of the must-have references for harps. How to enhance the effect of the back spectrum Absorption of a new song in the process, the back spectrum is an extremely important and indispensable stage. This stage can not be forced, it must happen very naturally. If you have to speed up this phase because of certain factors, I can give some advice: exercise the clearest spectrum every morning, when the clearest mind, and then in the afternoon or evening during each practice period, to strengthen Review half an hour, especially before going to bed practice absolutely not less. Occasionally, you may encounter extremely difficult passage, you can try to go to bed when the music will be brought to bed, while imagining the music, while practicing with your head accent notes, occasionally look at music