如果摄影师处于全身心、处于创作情绪完全活跃、不惧怕闲言碎语、不拒绝灵感,他将能创造出电影画面;只有当他拍摄的不是由美工师搭建、由演员充塞的布景时,而是某种第三类,即思想时,当作为造型手段的电影画面本身饱含着情感时,只有这时,才能说具备了在银幕上表达作者信念的基础。当然,这一过程有时是不由自主的,并且难以控制。也决不应把这一切导致为一种表达公式:如象彼得堡就得用冷调处理,农民起义的火把及大火所 If the photographer is in the middle of his mind, active in the creative mood, not afraid to gossip, not to refuse inspiration, he will be able to create a cinematic picture; only when he is filming a scene that is not stuffed by artists, stuffed by actors, As a third category, that is, when thinking, when the film as a modeling device itself is full of emotion, only then can it be said that it possesses the foundation for expressing author’s beliefs on the screen. Of course, this process is sometimes involuntary and difficult to control. Nor should it lead to all this as an expression: as Peterborough had to deal with the cold, the torch of the peasant uprising and the fire