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如果靠混淆性别界限、攻占男性导演作业面作为女性导演赢得奖励的前提,对于更多以女性气质取胜的女导演而言,似乎并无可资参照的价值如果以一个宏观的角度回望2010年的美国奥斯卡颁奖典礼,人们或许会记住两桩历史性事件:《阿凡达》的高调入围与《拆弹部队》的光鲜获奖。前者是因为詹姆斯·卡梅隆继《泰坦尼克号》之后,再度
It would seem that there is no reference value for women directors who win more feminine qualifications if the preconditions for capturing the male director’s job as a director are to be relied on to confound gender boundaries. Looking back at 2010 with a macro perspective Of the United States Academy Awards, people may remember two historic events: “Avatar” high-profile short-listed and “bombing” glorious award-winning. The former is due to James Cameron, following the “Titanic”, once again