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1999年以来,伴随DV(数码摄像机)的出现,个人化独立制作纪录片创作风潮兴起。非职业化的纪录片创作队伍急剧扩张,来自各行各业的创作者都加入到创作实践中来了。这一方面为中国的纪录片创作注入了新鲜的观察视点和探索创新的活力,但另一方面,由于缺乏基本影视专业知识的训练和对纪录片基本概念的认知以及正确的引导,这些作品也存在着各种问题。而DV风潮在21世纪之交的蓬勃兴盛很大程度上助长了这种倾向,非职业创作者在这场风潮中寻找与表达自我的同时却似乎迷失了方向,盲目模仿、跟风以及趋利猎奇的趋向开始充斥于独立纪录片的创作之中。随
Since 1999, with the advent of DV (digital video camera), the rise of individualized and independent documentary creations has emerged. The non-professional documentary creation team has rapidly expanded, and creators from all walks of life have joined the creative practice. On the one hand, it has infused a fresh perspective on the documentary creation in China and explored the vitality of innovation. On the other hand, these works also exist due to the lack of basic film and television professional knowledge training and the correct understanding of the basic concepts of the documentary A variety of problems. While the DV boom flourished at the turn of the 21st century, it greatly fueled this trend. While non-professional creators look for themselves and express themselves in this trend, they seem to lose their direction, blind imitation, follow suit, and profit-seeking The trend began to fill the creation of independent documentaries. With