因其独特的审美品格,姜贻斌的长篇小说《火鲤鱼》极易将人带入其营造的艺术世界中去,让人在其中沉思、沉浸、沉醉,不愿回还。这一审美品格首先体现在作者以极其幻美的语言,为我们再现了自己的“故乡”——作家曾在其间度过曼妙童年时光的渔鼓庙。就像在鲁迅的深情回望下,现实中一片衰败的乡土幻化为童年的乐园,少年闰土在这乐园中,有银色的月光、金黄的沙土、淘气的小兽一样,姜贻斌一定也对这片养育过自己的“母土”投射了太多的情感,以至于渔鼓庙这一角微小得不 Because of its unique aesthetic character, Jiang Yi-bin’s novel “Fire Carp” can easily bring people into the art world it creates, making people think, immerse, indulge in it and do not want to repay it. This aesthetic character first manifests itself in the most illusory language of the author, reproducing his “Hometown” for us - the temple of Yuelu where writers had spent their childhoods wonderfully. Like Lu Xun affectionate look back, the reality of a declining homeland turned into a childhood paradise, juvenile Run-earth in this paradise, there are silver moonlight, golden sand, naughty little beast, Jiang Yibin must also this Parents raised their own “Mother Earth ” projected too much emotion, so that the fishing drum Temple corner of this tiny