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为探求各种进步,当今许多雕塑家对雕塑语言进行了各种各样的探索,有成功的,也有不成功的,这本无可厚非。毕竟当今是开放的时代,雕塑面临着各种的机遇。当今社会上群众的审美眼光也提高了,已经不满足过去传统已有的东西,希望看到一些现代的,甚至是稀奇的东西。但有些人的探索明显地失去了意义,开始脱离了艺术的成分,搞什么超现代、后现代,采用非雕塑的手法做出了许多很恶心的东西。这种现象要引起人们的注意。
In order to explore various kinds of progress, many sculptors today have conducted various explorations of sculpture languages, both successful and unsuccessful. This is understandable. After all, today is an era of openness, with various opportunities facing the sculpture. The aesthetic vision of the masses in present-day society has also been raised. They have not satisfied what has been traditionally done in the past and hope to see some modern and even curious things. However, some people’s exploration has obviously lost its meaning, started to deviate from the composition of art, and engaged in ultra-modern and post-modernism, using many non-sculptural techniques to make many disgusting things. This phenomenon should draw people’s attention.