本文主要对于中国的叙事模式进行简单的分析。对于中国的公路电影叙事模式来来说,通常是通过建立一系列二元对立的价值体系,将影片中的人物角色模式相对一致的戏剧模式在电影事件中进行一系列的对抗,并且运用简单的时间模式构成叙事模式,结局是讲当下的社会现实,转换成为一种戏剧情境,对中国当下的主导意识形态和主流价值体系进行颂扬。 This article mainly analyzes the narrative mode in China. For China’s highway movie narrative model, it is usually through the establishment of a series of binary opposition value system, the characters in the film’s relatively consistent mode of drama in the film event a series of confrontations, and the use of simple The time mode constitutes the narrative mode. The ending is about the present social reality, transforming into a drama situation, and praising the current dominant ideology and mainstream value system in China.