石禅画风的出现为我们这些研究上海画风,进而引申到整个画坛画风的渐变提供了一本十分具有思想性的范本。我们这些美术理论研究者在研究“海派”画风时都是以浙江人入上海为基点的。其实,这是十分没有道理的,海上画风有自己的以上海本地人的分析,反思的思想去创新这个逐渐现代的都市的画风。最早的是董其昌,现代的是程十发,进而到新世纪出现的石禅。我所以这么写并不是抬高石禅的画坛地位,因为从理论分析的角度来说,这 The appearance of the stone Zen painting style provided a very ideological model for us to study the style of Shanghai and further extended the gradient of the style of the whole painting art world. We, the art theory researchers, are all based on the introduction of Zhejiang into Shanghai in the study of “Shanghai Style”. In fact, this is quite unreasonable. The style of painting in the sea has its own way of analyzing and reflecting on the ideas of local people in Shanghai to innovate the style of a modern and modern city. The earliest is Dong Qichang, the modern is Cheng Shifa, and then to the new century Shi Zen. Therefore, I did not raise the status of the painting portrait of Shi Chan because, from a theoretical analysis point of view, this