在各色的现代形态小说,纷纷放弃小说的古典的审美追求时,《红瓦》决计打捞潜于人心深处的古典的诗意。在《红瓦》的后记,作者这样表明自己的审美态度:“对思想力量的迷信和对美感力量的轻看,是十足的偏颇。美感与思想具有同等的力量。”(见《永远的古典》,曹文轩《红瓦代后记》, In the various modern morphological novels, they have abandoned the classical pursuit of beauty in the novel. The “Red Roof” decides to salvage the poetic poem in the deep of hearts. In the postscript of “The Red Tile,” the author shows his aesthetic attitude in such a way that “superstition in ideological power and contempt for the power of beauty are wholly biased, and beauty and thought have equal strength.” (See “Forever classical ”, Cao Wenxuan“ red tile generation postscript ”,