农民在过去时代的文艺作品中是没有地位的,共产党领导的革命文艺成功地塑造了农民的形象。早期延安文艺对农民的刻画存在着某种程度的丑化和欧化现象,但在延安文艺整风后,在为人民大众服务的前提下,延安文艺不仅以农民作为文艺接受对象,而且根据地农民成为了文艺作品的主人翁,成为歌颂的正面形象。 Farmers have no status in the literary and artistic works of the past times. The revolutionary literature and art led by the Communist Party successfully shaped the image of peasants. However, after the rectification of Yan’an literature and art and the service to the general public, Yan’an literature and art not only took peasants as objects of literature and art acceptance, but also peasants in base areas became literary and art The masters of the work become a positive image of praise.