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罗伯特·弗洛斯特,一如杰出的20世纪美国诗人,创作具有多重层次。这些层次可由最广义归纳为显露与隐含的双重。因为弗诗既通俗又玄奥,既乡土又非乡土,亦白直亦晦涩,似悖非谬,似是而非。双重中明显存在失称、对立和矛盾。这给理解弗诗带来困难,甚至产生误解,因而值得重视。 一显一隐,二者究竟是什么关系? 笔者认为,二者主要是悖论关系。悖论是弗诗中较为普遍的现象,而且对弗氏的艺术和思想起着关键作用,但是据笔者所知,一般评论
Robert Frost, as an outstanding 20th century American poet, has multiple layers of writing. These levels can be summarized in the broadest sense, both as explicit and implicit. Because the poem is both popular and mysterious, both native and non-native, but also straightforward obscurity, it seems paradoxical, plausible. There is a clear double, lost, antagonistic and contradictory. This brings difficulties to understanding Phoebe, even misunderstanding, which deserves attention. What is the relationship between the two? In my opinion, the two are mainly paradoxical relations. Paradox is a more common phenomenon in Epiphany, and plays a key role in Freud’s art and thought. However, as far as I know, the general comment