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贾樟柯导演的《二十四城记》一经上映就引起了人们对其是故事片还是纪录片的讨论。本文从类型的发展演变过程中探寻类型及其划分依据,并以此对《二十四城记》做一番类型上的分析。
Jia Zhangke’s director’s “Twenty-four City” was released on the cause of the people on its feature film or documentary discussion. This article explores the types and their basis of division from the development and evolution of types, and analyzes the type of “Twenty-four City Records”.