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张正忠先生今年也步入古稀之年了。他是江苏海门人,出生于一个耕读传家的书香门第。他自幼爱好书法绘画,经历艰辛而有传奇色彩。他对乡村风景题材情有独钟,15岁起写生乡村风景,并用中国画、西洋画、版画等形式表现。1994年起专攻乡村题材山水画,1996年他把这种画取名为“田园山水画”。后来受王伯敏等先生启发,渐入田园山水课题研究,先后出版了《中国田园山水画史》等专著。一、“田园山水画”概念的提出,是值得肯定的正忠先生二十年前提出的“田园山水画”概念,是值得肯定的。这是他学术上的创见与发现,也是他学术研究的成果。美术史有不同的梳理方法,他虽是一家之言,但是这个历史和理论的梳理是不容易的。
Mr. Zhang Zhengzhong also entered the seventies this year. He is a native of Haimen, Jiangsu, was born in a scholarly family who studied farming. He loved painting and calligraphy since childhood, has experienced arduous and legendary. He has a special liking for the rural landscape theme and spends his time in writing rural landscapes at the age of 15 and presents them in the form of Chinese paintings, Western paintings and prints. 1994 specializing in rural themes landscape painting, in 1996 he named the painting “pastoral landscape ”. Later inspired by Mr. Wang Bowen and other gentlemen, gradually into the study of pastoral landscape, has published the history of Chinese landscape painting and other monographs. First, the proposal of the concept of “pastoral landscape painting” is worthy of recognition. The concept of “pastoral landscape painting” put forward by Mr. Zheng Zhong twenty years ago is worthy of recognition. This is his academic ideas and findings, but also the result of his academic research. There are different ways of combing the history of art. Though he is one of them, it is not easy to sort out this history and theory.