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我国城市和园林雕塑设计经历了三个发展阶段。解放后到文革期间主要以工农兵为题材,并以革命史迹题材为主要表现对象。十年动乱后逐渐转变为以生活题材为主,各地流行学生读书、少先队员、体育锻炼,农民庆丰收等题材。例如,宿州市采用的四晨(晨鸡、晨读、晨练、晨扫)雕塑在这方面最有代表性。又如,天津市在天津宾馆前塑了一个反映杨柳青年画题材的“吉庆有余”,在喷池上塑了三个带兜肚的小男孩驮了一条大鲤鱼。在一座现代风格,即国际式的宾馆建筑面前配以反映农村气息的雕塑题材,显得很不相称。
The design of urban and garden sculptures in China has gone through three stages of development. From the liberation to the period of the Cultural Revolution, the main theme was workers, peasants and soldiers, and the theme of revolutionary historical sites was the main target. After ten years of turmoil, it gradually turned into a theme of life. Popular topics include student reading, young pioneers, physical exercise, and farmer’s harvest. For example, the four morning (morning chicken, morning reading, morning training, morning sweeping) sculptures used in Suzhou City are the most representative in this respect. Another example is Tianjin in front of the Tianjin Hotel to mold a “Ji Qing Yu” that reflects the theme of Yangliu’s youth paintings. In the spray pool, three small boys with a dolphin were smashed to pick up a large carp. In front of a modern style, that is, an international-style hotel building, the theme of sculpture reflecting the rural atmosphere is not appropriate.