古人作画,有石分三面之说,其目的则求山形之变化,或上或下,或左右二侧,从主山分布起伏,余皆气脉连接,形势映带。或磊落而雄壮,或层叠而秀润,或崔嵬而巅险。崒屹嶙峋,千怪万状。故唐代画家王 The ancients painting, there are three stone points, the purpose of seeking Yamagata changes, or up or down, or about the two sides, from the main distribution of mountain ups and downs, I are all linked to the gas pulse, the situation with the band. Or upright and majestic, or stacked and show Run, or Cui Hao and risky.崒 Yi 嶙 峋, strange things. So the Tang Dynasty painter Wang