种种迹象表明,我国当代文化已步入新的转型时期。经济的增长,带动了消费意识的膨胀;意识形态情结的淡化引起了人生意识的加强;昔日人们所热衷的严肃立旨和深度理性,已渐渐趋于倦怠,代之而起的是对表层感受的热衷。这组相互关联而方向一致的心理势态,在投资、扩建、认股等表象之下,似潜在的涌流日益扩展,改变着旧的文化型态,并要求艺术适应于这种转换。 There are indications that our contemporary culture has entered a new period of transition. Economic growth led to the expansion of consumer awareness; desalination of ideological complex caused by the strengthening of life awareness; in the past people are serious solemn purpose and depth of rationality, has gradually tended to burnout, replaced by the surface of the feelings Craving. This group of interrelated and unanimous mental states, under the appearances of investment, expansion and stock warping, seems to have potential influxes that are expanding, changing old cultural patterns and requiring art to adapt to this transformation.