我对江义湛的画作如是解读: 江文湛的绘画,是通过特定物象以表现宇宙自然的生命跃动,从而宣发个人的情绪、志趣,显现自我的人格。 说特定物象,是指江文湛以绘画表现宇宙自然时,并不要——通过宇宙自然中实在的,说此即是此,说彼即是彼的具体物形,让观画者看到什么就是个什么。伏羲要向人类描述和论说世界,明知世界是不可全然形容述说的,仰观玄表俯察群形,天外有天,其大无外,物内有物,具微无内,怎么可以说此即此说彼即彼呢?于是始作八卦,高度概括,通过既非具象而又非西方抽象之“象”,以通神明之德、以类万物之情。于是世界使得以轩松地描述论说了。但江义湛画的是从传统走出来的中国画,他还必须讣观画者在纸上看到具体物象,不能像某些西方现代绘画那样,只让人看线条和色块。只不过他的物象,虽然是一种非写实的具象,和传统绘画一样,禀有直接引起审美愉娱的品格和使命,但这些物象及其组合,却说此不是此说彼不是彼,观画中不通过理性而是通过无意识的生命内律,在画的无形的背后,山画中的有限而体味到画外的尤限。所以,这种特定物象是有着禅意和“易”的品格的。 正因为如此,正因为宇宙物象无限而绘画物象有限,每一具体画家的艺术物象尤其有限,这就需要高度简化,需要效法伏羲的哲学智慧,来创造一种有限 My interpretation of Jiang Yi-zhan’s paintings is as follows: Jiang Wen-zhan’s paintings are based on the expression of individual emotions, interests, and self-personality through the use of specific objects to express the natural life of the universe. To say something specific means that when Jiang Wenzhan expresses the nature of the universe by painting, he does not want to - through the nature of the universe, say this is what it means to say that he is his specific figure and let the viewers see what What? Fu Xi wants to describe and talk about the world to mankind, knowing that the world can not fully describe and say, looking back on the mysterious table to look down on the formation of a group, the sky is outside and beyond, there is nothing in it, there is nothing in it, how can we say this? He then began to make gossip and highly generalized, using the “elephant”, which is neither a figment nor a Western abstract, taking the virtue of the gods as a kind of thing. So the world made it easy to describe it. However, Jiang Yizhan painted Chinese traditional paintings that came out of the tradition. He also had to obey that artists see concrete objects on paper instead of looking at lines and patches just like some Western modern paintings. However, his image, though a non-realistic image, has the same character and mission that directly lead to aesthetic pleasure as the traditional painting. However, these objects and their combinations say that this is not to say that he or she is not a viewer But through the unconsciousness of life’s inner law, the invisible behind of the painting, the limited painting in the mountain paintings and the exquisiteness outside the painting. Therefore, this particular object has a Zen and “easy” character. Because of this, precisely because of the limited images of the universe and the limited objects of painting, the artistic image of each particular painter is particularly limited. This requires a high degree of simplification and the need to follow the philosophical wisdom of Fu Xi to create a limited