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有人调查之后说:眼下,写电影评论的多于读电影评论的;有人说,眼下的影评依旧“捧场,应酬”之作居多,读影评的本已存在的“逆反心理”不仅未消,反而加重;也有人说,作为“影评”主体之一的“群众影评”有片面追求“调查报告化”、“理论化”趋向,渐渐丧失了原有的“豆腐干市场”;比如《美丽的囚徒》、《峨眉飞盗》出来后,几乎举国上下报刊一起“骂”,一俟对“卖座片”统计数字一出来,怪哉！《美》片、《盗》片在许多地方的上座都是名列前茅！在上海,墨西哥电视连续剧《卞卡》放映后,报刊上的评论基本上也“不给好脸看”,可是,《卞卡》
Someone said after the survey: At the moment, write movie reviews more than movie reviews; Some people say that the current film critics are still “popular, entertainment,” most of the film reviews of the existing “rebellious” not only did not eliminate, but Some people say that “mass critics”, one of the main “critics”, have unilaterally pursued the trend of “investigation reports” and “theorization” and gradually lose their original “tofu market”; for example, “the beautiful prisoners ”,“ Emei Pirates ”came out, almost all over the country together with the newspaper“ curse ”, a 俟“ blockbuster ”statistics come out, weird! “Beautiful” film, “Pirate” film in many places are among the best! In Shanghai, after the screening of the Mexican TV series “Bianca”, the press commentary basically did not “give a good look,” but “Bianca”