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新时期中国工笔画在色彩上发生了很大的变化,伴随着变化也产生了一些问题。关于新时期中国工笔画色彩中的问题,单就概念层面上就有许多概念的提出,有人提出了“岩彩”概念,有人提出了“中国重彩画”的概念,有人提出了“胶彩”1的概念,有人称之为“现代彩绘”2等。这些概念的提出者从多重角度探析了色彩在中国工笔画中变化的可能性。
In the new era, Chinese color strokes have undergone great changes in color. Some problems have also arisen along with the changes. There are many concepts on the conceptual level. Some have proposed the concept of “rock color”, some have proposed the concept of “Chinese heavy color painting”, and some have proposed “Glue ” 1 concept, some people call it “modern painting ” 2 and so on. The proponents of these concepts have explored the possibility of color changing in Chinese style strokes from multiple perspectives.