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小提琴演奏艺术发展的四百年,也就是小提琴技巧不断发展和完善的过程,其中弓法艺术更是演奏的重中之重,弓法演奏也一直都是专家学者不断研究和探索的一个领域。古今中外很多演奏家、教育家写了许多关于弓法的书籍,详细地介绍了各种弓法的演奏理念和方法,而具体的运用到不同时期的作品中却涉及甚少。文章从顿弓和跳弓入手,探索顿弓和跳弓在普罗科菲耶夫小提琴奏鸣曲中的具体运用及其特点,旨在通过对弓法在不同时期的演奏方式以及所表达的演奏风格的研究,更深入、准确地把握作品的内涵,也为其他弓法的研究寻求新的途径。
The art of violin playing four hundred years, that is, the violin skills continue to develop and improve the process, of which bow art is playing the most important performance, bow method performance has always been experts and scholars continue to study and explore an area. Many performers and educators at all times and in all countries have written many books on bow law, introduced in detail the concepts and methods of playing bow law, and have rarely been used in works of different periods. Starting with Dayton bow and jumping bow, the article explores the concrete application and characteristics of Dayton bow and jumping bow in Prokofiev’s violin sonata, and aims at using the bowing method in different periods and the performance style Research, more in-depth, accurate grasp of the connotation of the work, but also for the study of other bow seek new ways.