历朝文人都偏爱竹子,以致凡夫俗子也极力附庸,以示风雅。竹之孤高、气节、虚怀、纤秀常常被反复吟诵,名篇佳句代代相传。晋代王徽之生性爱竹,就是暂居他人空室,也要令人种竹,还说:“何可一日无此君”。郑板桥一生写竹画竹,其爱至深,有《竹石》为证:“风中雨中有声,日中月中有影,诗中酒中有情,闷中闲中有伴,非唯我爱竹石,即竹石亦爱我也!”观此竹,嶙峋的石崖上,三杆修影交错,竹叶斑驳。阵风袭来,枝叶萧萧而鸣,而竹根却屹然不动,与山岩融为一体。此石构图奇妙,符合画理,对比强烈,动势强劲,意境深远。得意忘形时,不禁脱口而吟: Literati prefers bamboo, so that ordinary people are also vassal appeasement, to show elegance. Bamboo’s height, integrity, imaginary, Xianxiu often repeatedly chant, famous texts from generation to generation. Wang Huizhen’s sexual love of bamboo in the Jin Dynasty is to temporarily empty the living room of others and to make racial bamboo. He also said: “Why can not this person be on the same day?” Zheng Banqiao wrote bamboo painting all his life, his love is deep, there are “bamboo” as evidence: “There is sound in the wind in the middle of the moon, there is a shadow in the middle of the poem, Bamboo stone, that is, bamboo also love me too! ”View this bamboo, rocky cliffs, three shadows staggered bamboo leaves mottled. Gusts hit, branches and leaves rustling and Ming, while the bamboo root is still stand still, and Shan Yan blend. This stone composition is fantastic, in line with painting, contrasting, moving strong, far-reaching conception. Complacent, can not help but blurt out while Yin: