众所周知,上世纪八十年代初中期,话剧演出市场开始滑坡,我以为,在这滑坡的最初级阶段其责任尚不完全在于话剧人或话剧自身。说的更明确一点那就是,导致话剧人,或者广而言之导致整个戏剧人乃至整个剧场艺术陷入困顿悲凉境界的最直接、最强劲的因素就是一个不可逆转的、标志人类 As we all know, in the early eighties of last century, drama market began to decline, I think, in the early stages of the slide its responsibility is not entirely in the drama or the drama itself. To put it in a clearer way, the most direct and strongest factor that leads to the dramatist or, more broadly, the entire theatrical theater and even the entire theater art into a state of perplexity is an irreversible,