朱光潜的美学,通常沿用美学大讨论中他自己的辩词,被定为是“主客观统一派”的。但是,如果我们延用这样的概括,事实上不利于发现朱光潜美学的“精妙”之处的。从关键词“见”入手,我们可以窥见朱光潜美学的基本面貌,即美的表现性(恰好看见物的形象的完整性)、创造性(审美主体)和社会性(主客观的统一)三者的统一,是理论和实践的统一,这也是贯穿其前、后期思考的一条重要线索。 Zhu Guangqian’s aesthetics, usually followed the aesthetic debate in his own defense, was identified as “subjective and objective unified school ”. However, if we extend this generalization, it is actually not conducive to discovering the “subtlety” of Zhu Guangqian’s aesthetics. From the key words “See ”, we can get a glimpse of the basic features of Zhu Guangqian’s aesthetics, that is, the beauty of the performance (just seeing the completeness of the image of the thing), the creative (the aesthetic) and the social (the subjective and objective unity) The unification of both theory and practice is an important clue that runs through both front and later periods.