音乐创作者与表演者实现职责分离之后,音乐创作严重依赖符号成为既定事实,记谱法的诞生、乐谱的文本化均可充分证明这一点。然而音符的系列运动只是表象,从音乐表演与欣赏的角度看实则是音响运动,从音乐创作的角度看实则是作曲家的思想运动,即作曲家借助于符号实现其关于对象、内容及审 After the separation of duties between music creators and performers, musical writing relies heavily on symbols as a given fact, as is the birth of notation and the textualization of musical notations. However, the movement of series of notes is only an appearance, but from the point of view of music performance and appreciation, it is actually an acoustics movement. From the perspective of music creation, it is actually the ideological movement of the composer, that is, the composer realizes his work on the object, content and examination by means of symbols