我也是搞话剧出身的,后来跟史东山先生在《新儿女英雄传》里当副导演,以后就独立拍片了。对电影语言、镜头运用我也是在实践中慢慢学到手的。一部电影的具体完成,靠蒙太奇,靠分镜头组合。有人讲,一部电影好象是一串项链,每一个镜头,每一组镜头的分切,就好比一颗珠子。把每一颗珠子串起来,要有统一的美,统一的结构。对于导演来说,电影就是蒙太奇思维;不会分镜头,就不能当导演, I also engage in drama origins, and later with Mr. Shi Dongshan in the “new heroine biography” as a deputy director, later independent filming. For the movie language, I also use the lens slowly learned in practice. The specific completion of a movie, by montage, by sub-lens combination. Some people say that a movie seems to be a string of necklaces, each shot, each shot of the cut, like a bead. Striking every bead together, there must be a united beauty and a unified structure. For the director, the movie is a montage of thinking; not a shot, it can not be a director,