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“陌生化”作为俄国形式主义文学批评流派的核心观念,其理论实质就是要以一种与惯常相对立的表现方法,或以反常的形式摆落世俗,从而去贴近和呈现真实。禅宗运用反常化手段的目的,也是为了超越俗相或假相,以反常的方式达到真实。黄庭坚代表的江西诗派理论以及像陶渊明等追求平淡风格的诗人,其有意摆落世俗、不愿同流合污的主体精神更具有一种以反常而求真实的哲学意义。文章揭示的正是从反常、“平常”甚至平淡走向不同寻常的真实的艺术思辨活动。
As the core concept of the formal school of literary criticism in Russia, the essence of the theory is to approach and present the truth by means of an expression opposite to the usual way or by setting off the world in an anomalous form. The purpose of using the anomaly means of Zen is also to surpass popular customs or falsehoods and to achieve reality in an anomalous way. The theory of Jiangxi poetry represented by Huang Ting-jian and the poet like Tao Yuan-ming pursuing the dull style have the philosophical significance of seeking truth from the spirit of the subjective and the unorganized spirit. What the article reveals is precisely from the anomalies, “ordinary ” or even plain to the unusual real artistic speculative activities.