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本文从中国古代色彩观的发展流变角度 ,论述了中国传统戏曲舞台色彩观念之渊源。传统戏曲舞台色彩 (包括人物造型色彩和景物造型色彩 )观念主要体现在人物造型色彩 (包括戏衣和面部化妆两部分 )方面 ,尤其是人物的戏衣色彩表现的最充分。认为传统戏曲舞台色彩观念主要受儒家色彩观影响 ,民间色彩影响次之 ,兼受道、佛两家色彩观影响 ,又最终根源于五行体系中的五色说。
This essay elaborates the origins of the color concept of traditional Chinese opera from the perspective of the development of the ancient Chinese color concept. Traditional drama stage color (including character modeling color and landscape modeling color) concept is mainly reflected in the character modeling color (including costumes and facial makeup two parts), especially the figures of the costumes color performance of the fullest. It is considered that the traditional Chinese opera scene color concept is mainly influenced by the Confucianist color view, followed by the non-governmental color, and influenced by the two color viewpoints of Taoism and Buddhism. It finally comes from the five colors of the Five Elements system.