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把小说家文体意识的自觉看成是创作成熟的标志,也许并无不妥.检视新时期小说创作演进轨迹,小说文体作为一种存在,经历了80年代初文体的觉醒、80年代中后期的文体实验及当下文体自觉三阶段.对小说文体的重视和强调,弥补了20世纪中国小说重“写什么”轻“怎样写”的缺失,使小说得以从政治观念的附庸地位上解脱,获得“我性”特色.现实的存在往往是历史发展的必然结果.20世纪新文学自诞生之日起,历史现实便将思想启蒙、政治变革.图存救亡等需要由其它部门承担的任务交给了文学,而文学也迅速对历史和现实赋予的这些任务作出了庄严的承诺.在沉重而庄严的使命重压之下,小说文体自身
It may not be improper to regard the consciousness of literary style of novelists as the symbol of the maturity of creation.Viewing the evolution of novel creation in the new period, the novel style as a being experiencing the awakening of style in the early 1980s, the style of the middle and late 1980s Experiment and the current three stages of stylistic self-consciousness.Focusing on and emphasizing the style of novels, it makes up for the lack of light “how to write” in Chinese novels of the 20th century, and frees the novel from the vassal position of political conception, The existence of reality is often the inevitable result of historical development.As of the 20th century, since the birth of new literature, historical reality has enlightened the mind and political changes, and saved the tasks that need to be undertaken by other departments to literature , And literature quickly made a solemn commitment to these tasks entrusted by history and reality, under the weight of a heavy and solemn mission,