“小人拨乱”是才子佳人文学模式中的重要因素,也是才子佳人文学结构故事的主要手段。这种手法在明嘉靖间成为被普遍使用的模式。其间“小人”形象经由了一个从非道德性向道德性的转化。“小人拨乱”叙事模式的确立既体现了才子佳人故事核心冲突的转换,又是故事容量增加的需要。 “Villain to chaos ” is an important factor in the genius and beauty of the literary model, but also the main means of genius and beauty literature structure story. This approach became a commonly used model in Ming Jiajing. In the meantime, the image of “villain” has undergone a transformation from non-morality to morality. The establishment of the narrative mode embodies the transformation of the core conflict of the genius and beauty story and the need of increasing the capacity of the story.