人物画在中国绘画史中的地位向来颇高,然自元朝以来,其地位逐渐被山水花鸟所占据。但并不表示人物画不受重视,“五四”以来以徐悲鸿、蒋兆和、黄胄等为代表的有志于重振中国人物画雄风之士层出不穷。改革开放后东西方文化的碰撞迎来了“八五”艺术思潮,而后中国人物画也开始朝着多元化的方向发展。当代中青年画家迅速崛起,成为中国画坛一股不可忽视的生力军。在这股生力军当中,广西画家郑军里是有较大影响力的当代水墨写意人物画家之一。他的人物画作品非常注重意境表达,追求以意象造型,讲究格调和品 Figure painting in the history of Chinese painting has always been a high status, but since the Yuan Dynasty, its status has been occupied by landscape flowers and birds. However, this does not mean that the figure paintings are not taken seriously. Since the May 4th Incident, Xu Beihong, Jiang Zhaohe and Huangpi have represented an endless stream of people who want to revive the treasures of Chinese figure painting. After the reform and opening up, the collision of Eastern and Western cultures ushered in the “85” art trend, and then the Chinese figure painting began to move in a diversified direction. The contemporary young painter’s rapid rise has become an irresistible force in the Chinese painting society. Among these new forces, Zheng Junli, a Guangxi painter, is one of the most influential contemporary painters of ink and wash paintings. His portraits draw great attention to mood expression, the pursuit of image modeling, pay attention to style and product