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在钢琴演奏中,听众听到的不仅仅是音符的罗列,重要的是要感受音乐的内涵,听懂作者通过作品表达的思想情感。钢琴是一种表现力极强的乐器,演奏者的强弱对比及丰富的音色演绎,都能给人无限遐想和回味,众多优秀演奏者都十分注重音色美的追求。笔者在高校任教几年后,曾到俄罗斯继续研习钢琴艺术三年,加之十多年的教学实践之后,对如何提高学生的演奏水平有了一些新的认识,在本文中,笔者就钢琴演奏中“松”与“通”的辩证关系(松则通、通则变、变则久)进行详细的阐述。
In the piano performance, the audience not only hear the notes listed, the important thing is to feel the connotation of music, to understand the author expressed through works of thought and emotion. Piano is a very expressive instrument, the contrast between the strength of the player and rich sound interpretation, can give people unlimited reverie and aftertaste, many outstanding performers are very focused on the pursuit of sound beauty. After teaching for several years in colleges and universities, I went to Russia to continue studying piano art for three years. After more than ten years of teaching practice, I got some new ideas on how to improve students’ performances. In this paper, “Song ” and “Tong ” dialectical relationship (Song Ze Tong, general rules change, change for a long time) to elaborate.