张广天是一个音乐人,创作了大量歌曲,在影视音乐领域也有一定的成就。后来从音乐艺术越界到舞台剧领域,推出了《切·格瓦拉》、《左岸》、《圣人孔子》等剧,其中以《切·格瓦拉》影响最大,曾在世纪之交引起广泛关注和论争。论争的主要问题有四:一是剧中的切·格瓦拉形象作为“革命偶像”的圣洁性与“文化符号”的多义性;二是剧中“街南街北”的隐喻意义及其对中国当代社会真实状况的揭示;三是剧中“格拉玛号”的隐喻意义及其“继续革命”思想与“告别革命”思想的激烈冲突;四是对《切·格瓦拉》剧“有话无剧”的形式特征所做的“人民美学”与“消费文化”的相反评判。《切·格瓦拉》及其论争和研究,所展示的正是中国当代社会分化与思想分裂的历史图景。 Zhang Guangtian is a musician who has created a large number of songs and has made some achievements in the field of film and television music. Later, from the music art to the field of cross-border theater, launched the “Che Guevara”, “Left Bank”, “Sage Confucius” and other plays, of which “Che Guevara,” the most influential, has caused widespread at the turn of the century Concerns and arguments. There are four main issues in the debate: first, the image of Che Guevara in the play as the “holy nature of the” revolutionary idol “and the ambiguity of” cultural symbols “; secondly, the play” Street South Street North Metaphorical meaning of “” and its revelation to the real situation of contemporary Chinese society; thirdly, the metaphorical meaning of “Gelama” and the fierce conflict between “continuous revolution” and “farewell to revolution” ; The other is the opposite judgment of “people’s aesthetics ” and “consumer culture ” made by the formal traits of “Che Guevara” play “without words ”. The “Che Guevara” and his debates and studies show exactly the historical picture of the division of the Chinese contemporary society and the splitting of the mind.