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颜体书法以其独特的审美魅力,赢得了后人的喜爱。民国书法家谭延闿一生精研颜书,尤其勤习《麻姑仙坛记》,以颜体楷书誉满天下。长沙市博物馆馆藏谭氏临摹《麻姑仙坛记》为第一百零五通,此作品雍容挺拔,筋骨雄强,结构严谨,深得颜书精髓。谭延闿作为国民党的元老人物,从政之余,临池不倦,为中国近代书法开创了一种刚柔并济、恢宏大气的艺术风格,成为千古颜体又一新的高峰,在中国书法史上写下了浓墨重彩的一页。
Color calligraphy with its unique aesthetic charm, won the descendants of love. Yan Tan, a calligrapher of the Republic of China, painstakingly studies Yan Yan’s book of life. Collection of Museum of Changsha Tan ’s copy “Ma Lingxian Tanji” for the 105th, this works graceful, strong bones, strong structure, won the essence of Yan. As a veteran of the Kuomintang, Tan Yan-tao, as a veteran of the Kuomintang, worked tirelessly to create a kind of art style of hardness, softness, economy and magnificence in modern Chinese calligraphy, and became a new peak in ancient eras. He wrote down the history of Chinese calligraphy Outlined page.