李嘉儒的绘画洋溢着一种浓郁的金粉之气,许多场景都笼罩在一层淡淡的粉色所营造的暧昧、慵懒、感伤的气氛之中,雾状的粉色使得时间和空间变得不具体,让人觉得这些场景不在这个世界之中,而是某个不可企及的远处,你说是梦境中也可,仙境中也行,联想到那些看似古装的人物造型,或许这就是他笔下所想的镜花水月、海市蜃楼,蓬莱仙境等中国文化中那些吸引人的幻境。当然,他的绘画中还有明显的情色气质。如果说欲望是人性的本能,那么首先欲望就是真实的。西方人常会把灵爱与肉欲分离开来,神圣之爱 Li Jiaru’s painting is filled with a rich powder of gas, many scenes are enveloped in a layer of light pink to create the ambiguous, lazy, sentimental atmosphere, misty pink makes time and space become unsure, People think these scenes are not in this world, but some can not go in the distance, you can say that the dream can be, the fairyland also, think of those seemingly costumes character modeling, and perhaps this is his pen Imagine the moon, the mirage, Penglai fairyland and other Chinese culture in those attractive fantasy. Of course, there is a clear eroticism in his paintings. If desire is the instinct of human nature, then the first desire is true. Westerners often separate spiritual love from sensuality, divine love