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这是法国思想家福柯主题接近的三篇重要电影评论,他结合1970年代几部有轰动效应的“怀旧影片”和帕索里尼的纪录片,分析了电影在塑造大众记忆过程中的作用。
This is a review of three major film critics approaching the French thinker Foucault’s theme. He combined several influential “nostalgia films” and “Pasolini” documentaries in the 1970s to analyze the role of cinema in shaping mass memory .