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大约几年前,在《东方艺术》刊载的一篇介绍北京小剧场话剧的文章中,第一次接触到了小剧场话剧,文章对小剧场话剧的多元性、包容性、先锋性以及演出空间的开放性进行了介绍,让我对这种新的形式非常感兴趣,有一睹为快的冲动。年初,利用北京出差的机会,我走进了人艺小剧场,观看了任鸣导演的小剧场话剧——《我爱桃花》。《桃》剧剧情很简单,唐时,渔阳燕市少年冯燕与牙将张婴之妻通奸,某夜,张婴醉归,张妻忙将冯燕藏起,不想张婴醉卧时压住了冯燕放在椅子上
About a few years ago, in an article about the drama of the Beijing mini-theater published in Oriental Art, it was the first time that a mini-theater drama was exposed. The article discussed the diversity, inclusiveness, avant-garde and performance space of the mini-theater drama Openness was introduced, let me very interested in this new form, with impulsive impulse. At the beginning of the year, taking advantage of the business trip in Beijing, I walked into the art theater and watched the small theater drama directed by Ren Ming, “I Love Peach.” “Peach” Drama drama is very simple, Tang, Yu Yang Yan Feng Yan teenager and his wife will be adultery Zhang Ying, one night, Zhang Ying drunk, his wife busy Feng Yan hiding, do not want to suppress when Zhang Ying drunk Feng Yan on the chair