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新地形摄影,与新纪实摄影、新彩色摄影一样,是理解美国当代摄影的关键词。美国当代摄影中有两个亚当斯,一个是安塞尔·亚当斯(Ansel Adams,1902-1984),另一个是罗伯特·亚当斯(Robert Adams,1937-);一个是大牌,另一个也是大牌;一个拍摄过西部,另一个也拍摄过西部。于是摄影史家内奥米·罗森布拉姆将他俩做了个比较:两个亚当斯都关注密西西比河西部大地的雄浑之美,安塞尔·亚当斯避开横穿大地的道路、新建的排屋区、山坡上的遍地树桩,以免它们影响大地的雄浑壮丽;而罗伯特·亚当斯则会把这些当作画面的重要内容,以表现它们对大地之美的破坏。(Naomi Rosenblum:A World History of
New terrain photography, like the new documentary photography and new color photography, is a key word for understanding contemporary photography in the United States. There are two Adams in American contemporary photography, one is Ansel Adams (1902-1984) and the other is Robert Adams (1937-); one is big and the other big, and one shot Across the west, the other also shot the west. So the photographic historian Naomi Rosenbaum compared them both: Adams both focused on the magnificent beauty of the western Mississippi, Ansel Adams escaped the road across the earth, the new townhouse And stumps on the hillsides, lest they affect the magnificence of the earth, and Robert Adams would have taken them as an important part of the picture in order to show their destruction of the beauty of the earth. (Naomi Rosenblum: A World History of