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一般认为语言文字是单一的线性叙事媒介,并不适合表现空间。但许多文学作品却突破限制,通过细致的场景描写、生动的人物肖像的刻画和历史片段的穿插回顾,延缓叙事时间的流动,或造成过去和现在的时空并置,从而使得作品表现出一定的空间形式。不仅如此,一些作品还试图借用其他一些叙事媒介如舞台戏剧、绘画、电影等的空间叙事技巧,展现出丰富的空间意象。在小说《巴士》中,艾萨克.辛格利用文学叙事手段构建出静态的舞台空间、灵动的绘画空间和飘忽的电影空间。
Generally believed that language is a single linear narrative medium, not suitable for performance space. However, many literary works break through the limitations. Through meticulous scene descriptions, portraits of vivid portraits and interludes of historical fragments, the flow of narrative time is delayed or the juxtaposition of time and space between the past and the present is caused. As a result, Space form. Not only that, some works have also tried to borrow the space narrative skills of other narrative media such as stage plays, paintings, movies and so on, and have shown a wealth of spatial images. In the novel “Bus”, Isaac Singh constructs the static stage space, the smart painting space and the erratic film space by means of literature narration.