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民国时期教育部举办的两次全国美展传统绘画出品状况反映出尽管传统绘画经历了“美术革命”的冲击,在1920年代末的势力也依然强大,但传统绘画题材本身与社会、实践、时代相对隔离,使其影响力日益式微。同时,这一现象还揭示出传统绘画在欧风东渐的大潮中,由关注主观感情表达的“出世”观念逐渐趋向积极关注现实生活的社会功用理念。
The two national art exhibitions held by the Ministry of Education during the Republic of China reflected the fact that although the traditional painting experienced the impact of “art revolution” in the late 1920s, the power of the traditional painting remained strong. However, Relative isolation of the times, so that its influence is declining. At the same time, this phenomenon also reveals that in the tide of the gradual easing of the European style, the traditional concept of “the birth of the world” expressed by the subjective feelings gradually tends to pay more attention to the concept of social functions in real life.