许多单簧管演奏员,都深深体会到单簧管嘴子的重要性,他们常为无处寻得一个得心应手的好嘴子而苦恼。嘴子的问题在美国也是一个十分头痛的问题。我知道有一位美国单簧管专家,他技术好,舌头灵。他有一个有机玻璃嘴子,很好用,一直视为至宝。一次不小心把它摔坏了,他请专家修好了,还当宝贝一样,非常珍惜。一个好的演奏员,要想获得一个好嘴子,必须请专家帮着修,反复试吹,精雕细琢,直到满意为止。这是要花费很大力气的。一些来华访问演出的外国单簧管演奏家 Many clarinet players deeply appreciate the importance of clarinet beaks, and they often get distracted by finding a handy, good mouth. The problem of the mouth is also a very headache problem in the United States. I know of an American clarinetist who has good technique and a good tongue. He has a plexiglass mouth, good use, has been regarded as the treasure. Accidentally broke it, he asked experts to fix it, but also when the baby, very cherished. A good player, in order to get a good mouth, you must ask experts to help repair, repeatedly test blowing, crafted, until satisfied. It takes a lot of effort. Some foreign clarinetists who come to China to perform