粉碎“四人帮”的文化专制主义之后,四川省戏剧表演团体迅速得到恢复和发展,演出相当活跃。这对于满足人民文化生活的需要,促进四化建设起了积极的作用。但是,随着文艺事业的发展,那种对剧团统得过死,管得过多,剧团布局不合理,人员“又多又缺”和“吃大锅饭”、平均主义等等问题都暴露出来了。剧团的经济压力很大,演员疲于奔命,不利于艺术创作和演出质量的提高,不利于人才的成长,不利于贯彻文艺为人民服务、为社会主义服务的方向。看来文艺体制的改革势在必行。怎么办呢?从我省经济体制的改革中,我们获得了有益的启示,在文艺体制改革上 After the smashing of the “Gang of Four” cultural despotism, Sichuan’s dramatic performing groups were quickly restored and developed with quite active performances. This has played an active role in meeting the needs of the people’s cultural life and promoting the four modernizations. However, with the development of the literature and art industry, the problems of over death and excessive administration of the troupe, unreasonable distribution of the troupe, “shortage and shortage of staff” and “big pots” and egalitarianism have all been exposed . Troupe of great economic pressure, the actors exhausted, is not conducive to the improvement of artistic creation and performance quality is not conducive to the growth of qualified personnel, is not conducive to implementing literature and art serving the people and serve the direction of socialism. It seems that the reform of literary and artistic system is imperative. What to do? From the reform of our province’s economic system, we have obtained useful enlightenment in the reform of literary and artistic system