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与从事中国当代艺术的庞大队伍不同,从事都市水墨创作的年青人是很少很少的,这既与用水墨表现当下生活较为困难有关,也与西方艺术的强大影响有关,更与艺术市场的明确指向有关。例如,青年艺术家张正民在进行艺术创作的过程中,就曾对水墨有过一段相当长的放弃时间。据张正民介绍,他在中国美术学院中国画系读书时,85思潮正风起云涌。因受当时主流创作观念的影响,他更多是用传统工笔画的方式表达一些艰深的哲理。许多过来人都知道,理性(哲理)绘画在新潮绘画中,曾占有
Different from the huge ranks engaged in contemporary Chinese art, young people engaged in urban ink and wash creation are few and far between, which is not only related to the difficulty of expressing the current life in ink and wash, but also to the powerful influence of western art, Clearly point to the relevant. For example, young artist Zhang Zhengmin had a long time to give ink and wash to his art. According to Zhang Zhengmin, when he was studying Chinese painting at the China Academy of Art, his thoughts were surging. Due to the influence of the mainstream creative concept at the time, he was more likely to express some arduous philosophy in the traditional style of stroke painting. Many come to know that rational (philosophical) paintings have been possessed in trendy paintings