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吉剧从一九六○年正式诞生,至今将近三十年了。三十年来,吉剧积累了许多剧目,而且一九七八年进京和一九八七年赴港,都获得了巨大成功,引起了社会各界的重视。厚厚的两本《吉剧艺术》可以作为社会反响来看待。不仅如此,吉剧从诞生那天起,始终在研究和探讨自己的生路。尽管这里有分歧,有争论,然而探索追求在吉剧诞生以后一直没有间断过,而且从今天的情况来看,吉剧三十年所走过的道路,其经验和教训对于今天的戏曲改革都将是十分宝贵的。目前吉剧不仅遇到了和戏曲一样的困境,而且自身的发展也提出了许多值得深思的问题,诸如吉剧的剧种特点是什么?作为一个新兴的地方剧
Kyrgyzstan was officially born from 1960, so far nearly three decades. Over the past three decades, Ji drama has accumulated many repertoire, and its great success in going to Beijing in 1978 and its visit to Hong Kong in 1987 has aroused the attention of all sectors of society. Thick two “Ji opera art” can be regarded as social repercussions. Not only that, Ji drama from the day it was born, always in research and explore their own way. Although there is disagreement and controversy here, exploration and pursuit have not stopped after the birth of the Ji opera. And from today’s situation, the experiences and lessons learned in the three decades of Ji opera have not changed Will be very valuable. At present, Ji opera not only encountered the same predicament as opera, but also raised many introspective questions about its own development. For example, what is the feature of the operetta? As an emerging local drama