近几年中国电影年产量大幅度上升,票房收入节节攀升,电影产业快速发展,电影市场一派热闹繁荣的景象。然而,一年年电影产量上升,一次次票房刷新,并未改变电影文化的精神缺失。电影评论没能起到引领、促进创作的作用。见诸于主流报刊的电影评论,其社会影响力远不如似若潮水的娱乐记者鼓噪出的花边新闻、内幕消息、追星炒作,或是网上酷评、水军起哄来的凶猛,更能吸引大众的眼球。无原则的吹捧,廉价的溢美或是肆意棒杀,都歪曲了影片的真实品质。绝大部分读者接触这些内容,也不过是消遣,当作茶余饭后的谈资,影评的本质意 In recent years, the annual output of Chinese movies has risen sharply, the receipts at the box office have been climbing steadily, the film industry has been developing rapidly, and the cinema market has been bustling and prosperous. However, the annual film production increased year by year at the box office refreshment, did not change the spirit of the lack of film culture. Film criticism failed to play a leading role in promoting creativity. The cinematic critiques of major newspapers have far less social influence than lace news, inside information, chasing stars, or online commentary that ferocious naval forces have brought to the public Eyeballs. No principle of touted, cheaper beauty or wanton stick, have distorted the true quality of the film. The vast majority of readers access to these content, but also pastime, as a talk after gossip, the essence of film criticism