乍看张明川的画,似乎和传统中国画相去甚远。没有桃红柳绿,姹紫嫣红,没有小桥流水,牧童短笛。呈现在眼前的多是汹涌澎湃的波涛巨垠,驰骋大洋的舰艇编队,威武雄壮的水兵方阵,刺破长空的战机轰鸣。看张明川的画,和传统的文人画也近乎无缘。因为他从骨子里就厌恶那种柔弱萎靡之弊。尽管创作之余,张明川先生一再选取山水题材和被称为国色天香的牡丹作为抒写胸臆的客观物象,但似乎感受不到山的清秀,水的妩媚,花的娇妍。而冲撞胸扉的是力的迸发,墨的酣畅,灵魂的真诚悸动和激情火焰的熊熊燃烧。画境类于心境。这是画家精神世界的真实观照。绘画所展示的往往是画家本人内心的最真实、最隐蔽处。画境之深浅雅俗和雄秀美丑,某种程度而言,是千载而下,“披图可鉴”的。张明川是当代军旅画家群体 Zhang Mingchuan’s paintings at first glance seem to be far from traditional Chinese painting. No pink willow green, colorful, no bridges, shepherd boy Piccolo. In front of us are mostly surging waves giant, galloping ocean warships formations, mighty marshalled phalanx, piercing the fighter’s roar of the sky. See Zhang Mingchuan’s paintings, and traditional literati paintings almost missed. Because he hates from the bones of the kind of weak and apathetic disadvantages. In spite of his creation, Mr. Zhang Mingchuan has repeatedly chosen the theme of landscapes and the peony, which is known as the national essence, as the objective object of expressing his feelings. However, it seems that he can not feel the beauty of mountains, the charming of water, and the delicate flowers of flowers. The collision of the chest is the burst of force, ink hearty, soul’s sincere throb and passion flame burning. Painting environment in the state of mind. This is a true reflection of the artist’s spiritual world. The painting is often the most authentic and hidden place of the painter himself. The depth and elegance of the painting and the beauty and ugliness of the male and female are, to some extent, the golden rule of time. Zhang Mingchuan is a group of contemporary military painters